skullcaps:

dragonsroar:

Since i know i wouldn’t even have the patience to do this unless i made something fancy like this. I’m in an art slump and it’s time to get over it, and if you want, you can do this thing with me.

The point of this isn’t to make a fantastic piece of art every day, it’s to experiment in areas you are uncomfortable with and try out new things.

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Art reference masterposts: X X (trust me, that will be more than enough)

Great art reference tumblrs: X X X X X

Inspiration: Animeclay | fyeahmonochromeart  | theartofanimation | conceptartworld | creativeuncut | fuckyeahillustrativeart

Other fun/helpful things for ideas/my favorites: color-palettes | strike a pose | pixel art tutorials | colorshipping | monster boy/girl generator | art reference wiki | links of inspiration and advice

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Phew! Anyway I hope this little project will help. You don’t have to do it for 30 days or anything, you dont even have to do it at all, I just hope it’ll give you a little inspiration to improve!

Lily, OUT. 

EDIT: I made a group for it, you can submit images you do for this challenge here!

Here’s the proper source for this, sorry again for the mixup

I WILL DO THIS >:I … perhaps after I finish my hw ;A; [school’s almost over! You can do it!! D: ]

Golgothassterror: art post ›

tutorialsforartists:

I just went back through over 900 liked posts and dug out all the art tutorials so i can keep track of them. I guess this might be helpful to some of you guys, so here you go.

Here we go then!

Freeware

Alchemy - this is a really fun program. You play around making abstract shapes until you start to see something in them, kind of like a Rorschach test. Then you use the shapes as a base to draw it from.
MyPaint - a pretty decent painting program that also has the benefit of working on Unix systems.
openCanvas 1.1 - I haven’t used openCanvas in years but it was a nice program with a pretty unique feel to it.
ArtRage - Only used this a couple of times donkey’s years ago just before I got oC, but I’ve heard good things about it.
The GIMP - In a similar vein to Photoshop, but free. I couldn’t get on with it when I tried it out a few years ago, but it’s pretty popular and is available on Unix systems and Macs.

Sketchbook copic: a bit different program

Not-free-ware

Photoshop - Standard painting fare. Probably the most flexible program (particularly the latest versions) but not designed to act in a “natural” way. If you’ve used it for painting versus something like Painter you know what I mean. Who the fuck pays for it though? Google “Photoshop tumblr masterpost” and take your pick.
Paint Tool Sai - Far more affordable and definitely worth paying for if you can. The brushes are very decent (especially when they’ve been tweaked a little), the gui is simple and intuitive, and I dare you to find a program with which making smooth lineart is easier.
Corel Painter - My program of choice for most things. More tools than you could ever possibly use and pretty cheap on a student license, providing that you can prove you’re a student! It’s got a few bugs but if you want realism or a more natural feel than PS or SAI this is the program for you.

Anatomy

heads from different angles

anatomy and rotation of the head

human anatomy for artists

speed drawing studies

nude references

hands

arm and wing movement

beer bellies

body types

noses

box and egg/run of the stroke

a trick for arm proportions

body diversity

anatomy of the waist

feet

hands and forearms

Expressions

emotions and facial expressions

expressions from different angles (love this site)

body language

Poses

figure drawing examples

posemaniacs

gesture drawing

flexiblity

hand poses

Skin tones

handy pallet

painting skin

paint some life into your skin tones

ethnic skintones

Colouring

gamut mask tool (very nice!)

colour does not have to suck

5 easy ways to improve your colouring

fucking gradients, how do they work

light and shadow

painting crystals

achieving a painterly look in SAI

painting forests

colour scheme designer

kuler (more colour schemes)

portrait lighting cheatsheet

Brushes

a very nice setting for the sai acrylic brush

photoshop fur brushes (and tutorial)

lots of photoshop brushes

Other peoples masterposts

handy art link megapost

art references

stock artists

cocks and how to draw them

love your fellow artist (anything from prompt generators to animation background here, very nice)

e-books

art e-books (mediafire download)

even more e-books (including human anatomy, animal anatomy, cartoons, animation, composition, design, scenery, perspective…)

Andrew Loomis’s books

the art of drawing

cutting edge anatomy

Tutorials

drawing 101

how to paint realistic hair

how to paint realistic eyes

conceptart.org tutorials

creature design

folds

glasses

a pretty extensive general art tutorial

tumblrs

fucking art, how does it work

wannabe animator

anatomical art

artist problems

criminallyincompetent (check out their #reference and #tutorial tags, they’re gold)

(via redstardom)

Enchanté, you’ve arrived at last…

Reverie by Dioptasy

Social Waste Product: Fan Art ›

unatheblade:

alexds1:

inbetweenthelineart:

alexds1:

swegener:

I spent the morning un-following a bunch of very talented people on Tumblr.

That feels like a really weird thing to say. And it is.

It was nearly a dozen different artists in all, and they were all extremely talented. Part of what moved me to Follow them in the first place was their skill. In…

I agree with this so much. I watch many different people of varying skill level and focus, but the defining thread is that they produce original work and have original stories in their heads. I like young artists a lot for this reason; sometimes the stories aren’t the best but the feeling and brain power behind them is there.

Fanartists can do incredible work too, but as a consumer of art it’s as significant as the difference between eating a meal and eating someone else’s vomit.

I have a huge problem with this.

How do you know they aren’t doing their own work? Believe it or not, about 40% of what I draw is my own original stuff. And only about 10% of that makes it onto my online accounts. Why? Because I’m constantly changing and improving things. Because maybe I feel like I want it to be the very best it can be before I show it to the world. It’s a lot less nerve-wracking to showcase fanart even if you just did it for the sake of practice. And even then….what’s wrong with using your fanart to improve? You can learn a LOT from drawing fanart, then when you’re ready, you can start doing your own things. This elitist “I draw my own things, therefor I’m a better artist” idea is bullshit. 

The fact that you’re doing your own original work and not posting it is fair, but isn’t it also fair that I don’t know that? Am I supposed to assume that every person that I watch who posts nothing but fanart is someone with deep amazing story ideas and I should just wade through the stuff I hate to get to it a few years from now when they get around to showing it off?

Nor did I say that one shouldn’t draw fanart to improve. Lots of people do. I did. I drew a fuckton of AtLA fanart back when the show was going, and I learned most of the basics of dynamic drawing in the process. What I didn’t do after that was continue to draw fanart constantly to the exclusion of developing my own work.

I don’t think I’m being elitist. I’m not saying that fanart is bad. I love drawing fanart for things that inspire me (I just posted one a few days ago in fact). But, as I said pretty clearly, as a consumer of the art of others, constant unceasing fanart doesn’t inspire me to anything but annoyance. All my favorite artists draw fanart from time to time, but they also all have incredible worlds in their heads that I never want to stop hearing about.

Last, if you’re reading some kind of personal insult into it, then that might be your own guilt speaking. If you want people to recognize you for your original work, then perhaps you should stop worrying about what I do and keep pushing to make that happen.

I agree with Dershing here. It’s not wrong to do fan art, but the returns can only diminish and make the world of entertainment poorer because of it. We live in an age of fan fiction. Entertainment today is strip mining recent popular culture for product with a built-in audience rather than creating new stories. It’s a self-destructive cycle.

Not to mention the legal problem of copyright infringement. Believe me, you do not want to get entangled in legal battles with the likes of Disney. They have enough power to actually rewrite the law in their favor. They’ve cut the people who actually created their properties right out of the copyrights. They’ll take you for everything you have without a second thought.

The stories and characters you grew up with and love should inspire you to create new stories and characters in your own unique voice. Steven Spielberg and George Lucas were frustrated that they couldn’t make a James Bond movie, so they came up with a character called Indiana Jones. Imagine if they had just made a Bond movie instead. George R.R. Martin was inspired by The Lord of the Rings to create A Song of Ice and Fire. He could have just written a bunch of Tom Bombadil fan fiction, but what would we have missed out on (I’m aware that Martin started out in non-professional fan publications, but I don’t know whether he ever used other people’s characters). 

There is an exception that I should point out though. Re-interpreting well-known stories is a time-honored tradition that has resulted in some great new stories. I recommend The Once and Future King, T.H. White’s re-interpretation of the Arthurian legends. Jim Henson’s Storyteller series and Greek Myths series illuminated and re-examined some of Western Culture’s best-known myths and fairy tales. Of course Walt Disney invented the animated feature film with new versions of classic stories. The difference is one of taking an existing story and retelling it in a unique way versus taking other people’s ideas and piggybacking on them.

Another way of adapting existing work is the basis of all storytelling; re-inventing a story for a new audience. Spirited Away is loosely based on Alice in Wonderland. Ponyo is a new version of The Little Mermaid. Park Chan-Wook’s Old Boy is a new take on The Count of Monte Cristo. A Fistful of Dollars is Sergio Leone’s Western remake of  Akira Kurosawa’s Yojimbo.

The world is hungry for stories, guys. You can use the raw material of great stuff you love to create something new. Not only can you, you should.    

something entertaining: Some fallacies about fanart: ›

chirart:

  1. Fanart = lack of creativity

    It takes creativity to create art, period. What makes good art is what is debatable.

  2. Fanart = piggybacking on someone else’s ideas

    Fanart, like all art, is expression. Usually of joy and love. People are driven to make fanart largely in response to their love…

korybing:

As a continuation to the last reblog, here’s a really interesting PBS short about Fanfic and Fanart. The part about Adventure Time is especially interesting and inspiring.

Although I still don’t agree with people selling fanart, especially of the “put two things together like it’s hilarious” school of fanart and then sell it on a shirt. I find that to be just lazy, but that’s my opinion!

WIP of my current watercolor painting of some random dryad gal >.>

Completely botched the colors =.= This is what happens when you don’t have the right materials and haven’t painted since the beginning of high school OTL

getting ready to paint :] starting initial sketch, still figuring out composition and the like. major changes may occur xP

#sketch  #wip  #fantasy  #my art  

Dryad - ink sketch [5 minutes]

ugh finals, APs, regents, and SATs are coming up… what little time i have for art is deteriorating…

#my art  #ink  #sketch  #dryad  

Coming Home

Coming home is often an issue for me. Now normally one needn’t find trouble with one’s own doorway, and that’s usually the case, unless an unexpected delivery of elephant vases or perhaps a gifted baby blue Buggy for your great aunt’s 90th birthday happens to be the case. And of course one never loses their own door either, though exceptions might be made if said door has been kicked open recently. Now I’ve never lost a door from my memory, but that’s beside the point. Coming home is hard, especially when one is over-sated with the flurry of life and instead of finding peace and quiet, is anointed with the flurry of fur as one opens the door. Not that my door is difficult to open or anything, it’s really just a matter of consequence. Now, when you’re tired and beaten to extinction from schoolwork and lifework and the necessities of the mundane, what you really want to do is just… come home.

Normally one may return home and be greeted by, perhaps, a tired old ‘Welcome Home’ mat, words bled through by the trials of time; or maybe a nice “old door knocker”, content to sit there well, contently. Any maybe, just maybe, one finds herself the receptionist of a family member or a beloved pet. I qualify for the latter but I do not know if one should be charmed or devastated. Instead of that goofy pal swinging his pendulum of a tail, or that model of a lovely “prim and proper” feline, I find myself in the pathway of an ongoing storm. Animals are unleashed as the final click sounds and the door is pushed open. Freedom is near and they run to grasp it. They fly, they flee, and they escape into the open, the very open you wish to escape. This scenario is made less decent by the very virtue of the mailbox, whose contents I now hold onto with my hand. Occasionally my remaining hand will be occupied as well; a book, a drink, really I seem to hold on to everything.

Now then, the real adventure begins. One may be smart about it, or be a fool. I’m no lesser than a fool so I set my things down and thus commence on a merry goose chase. Perhaps that idiom is not inappropriate, for one will find one’s own dog and cat are no different from a goose in this case. One will see, as I pick up my illustrious cat, who at the moment is stretching in the lazy spring afternoon, that now only do I need to carry a seven month old seven pound cat, I also need to herd my dog, to whom the job really should go to, back into the vortex from where they were released. Indeed my day is never over, because as soon as I put them back into the darkened room and turn my back on them, the situation resumes. As I said, coming home is often an issue for me.

[If anyone has ever read 420 Characters by Lou Beach, you’ll know why I’m inspired. Just a twist really, since I need to brush up on my fantasy writing. Oh and this is all real, just slightly exaggerated. I’m trying to write more often, since I don’t have much time to draw. APs, Finals, Regents, and all sorts of things will be coming up in the next two months ;A; Junior year sucks.]